“Solid and enduring” is how C. Emlen Urban described his design intent for Stevens High School during the dedication ceremonies on Dec. 22, 1905. However, there is no more suitable description than “solid and enduring” to describe the four freestanding banks that he authored between 1910 and 1923. The century-old buildings remain today, virtually untouched.
Union National Mount Joy Bank commissioned Urban in 1910 to design a structure that would speak to strength and security, and remind customers that their accounts were in safekeeping. He chose a massive masonry limestone symmetrical structure in the Beaux Arts style to reflect that message. Classic Greek design elements, including paired two-story Ionic columns, flank pilasters and an oversized entablature with parapet, reinforcing strength and security.
In 1912, Milton S. Hershey commissioned Urban to design a building that would impress the public and encourage people to start saving for the future. The two-story marble, brick and granite Renaissance-style structure includes a well-proportioned Greek pediment and entablature resting on paired columns.
The interior is as impressive as the exterior, with marble flooring, mahogany millwork and an imposing vault door. A 30-day wall clock, flanked by lions representing time and strength, tops the vault. Located at the intersection of Cocoa and Chocolate avenues in Hershey, Hershey Trust Co. still retains its impressive public stature.
Urban’s third bank, Lititz Springs National Bank, was designed in 1922 and holds the distinction of being his only bank with a corner entrance. The two-story masonry structure, at the corner of the borough’s Main and Broad streets, softens the intersection with its curved facade and thoughtful detailing. Although another imposing and impressive design, this bank features generous amounts of windows and natural light.
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An oversized entablature and parapet designed by C. Emlen Urban in the early 1900s for Union National Mount Joy Bank.
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Union National Mount Joy Bank kicked off the bank-designing portion of architect C. Emlen Urban's portfolio. He was commissioned in 1910.
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The massive masonry structure of Union National Mount Joy Bank was designed with symmetry, in the Beaux Arts style.
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Roofline detailing of C. Emlen Urban's 1910-commissioned bank in Mount Joy.
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Two-story Ionic columns flank the entrance to Union National Mount Joy Bank, designed by C. Emlen Urban at the turn of the last century.
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Facade detailing on the bank C. Emlen Urban designed in Mount Joy.
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Two years after Union National Mount Joy Bank, in 1912, Milton Hershey commissioned C. Emlen Urban to design the Hershey Trust Building. It was just one of many in a long and lucrative partnership between the chocolatier and the architect.
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Little expense was spared on the interior of the Hershey Trust Building, which C. Emlen Urban was commissioned in 1912 to design. Mahogany woodwork, marble flooring and 30-day clock match the Renaissance grandeur of the exterior.
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C. Emlen Urban's third financial institution, Lititz Springs Bank, was commissioned a decade later, in 1922.
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The curved corner facade of Lititz Springs Bank adds grace to the borough square.
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The two-story Lititz Springs Bank is fitted with ample windows to flood the interior with light.
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Lititz Springs Bank, designed in 1922 and shown here under construction.
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The newly completed Lititz Springs Bank, early last century.
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Ephrata National Bank, designed by C. Emlen Urban in 1923 and shown here in the 1940s.
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A bronze counter inside Ephrata National Bank has been used for countless transactions over its nearly century of use.
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The imposing entablature of Ephrata National Bank.
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C. Emlen Urban's architectural influence continues inside Ephrata National Bank to the hardware.
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The stairway in C. Emlen Urban's 1923-designed Ephrata National Bank whispers stability and financial security.
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More than 90 years after C. Emlen Urban's Ephrata National Bank rose above Ephrata's East Main Street, it's still a borough landmark.
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Architect C. Emlen Urban's steamship trunk can be found at the Ephrata National Bank he designed nearly a century ago.
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Architect C. Emlen Urban's name still can be seen on the steamship trunk he took along on a Mediterranean trip. The trunk now is at the Urban-designed Ephrata National Bank.
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The Samsonite of yesteryear: architect C. Emlen Urban's steamship trunk, now at the Ephrata National Bank he designed in the 1920s.
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The Beaux Arts-style Keystone National Bank in Manheim bears more than a passing resemblance to C. Emlen Urban-designed banks from the same period, but the structure has never been directly linked to the architect.
Ephrata National Bank retained Urban to design its new building in 1923. His fourth and final freestanding bank embodies all his knowledge of bank designs to date, and presents another fine example of thoughtful and creative design innovation.
A combination of Vermont marble columns and English bond brick on the facade emulates the Hershey Trust Building, and the eagle perched above the main entry resembles the one at Lititz Springs National Bank. The sky-lit interior, utilizing American walnut millwork, is organized around a 26-ton vault door and frame. More than 10,000 visitors toured the aptly described “landmark of admiration” on dedication day, July 11, 1925.
What do all of his banks have in common?
They include granite, marble or limestone facades, in addition to classic Ionic columns, entablatures and parapets.
What does Ephrata National Bank have that none of the others has?
Urban’s steamship trunk from his 1932 Mediterranean cruise on the S.S Roma.
Is the Keystone National Bank in Manheim a C. Emlen Urban design?
Although the Keystone National Bank (1925) appears to be a clone of the Union National Mount Joy Bank (1910), there is no evidence that Urban was the architect of record.